Dame Pat Routledge: The Story of Television's Wonderfully Posh 'Hyacinth Bouquet'

Lady Pat Routledge, who passed away at the age of 96, imprinted herself on the national consciousness as the snobby Hyacinth Bouquet.

Insisting it was "said Bouquet," Hyacinth trampled over her long-suffering husband and bewildered neighbours in the popular sitcom, among Britain's best-loved sitcoms in the 1990s.

Behaving like a duchess while living in a suburban area, Bucket's monstrous status-seeking schemes were ultimately doomed to collapse—while she struggled to keep her composure.

It was Lady Patricia's most famous role in a career that saw her win stage honors on each side of the ocean, become the lead of the playwright's famous TV monologues, and become BBC1's crime-busting Mrs. Wainthropp.

Early Years and Start in Acting

Katherine Pat Routledge was delivered in Birkenhead on 17 February 1929.

Her father was a haberdasher and she remembered taking cover from German air raids in the cellar of his shop throughout the Second World War.

She majored in literature at local Liverpool University and intended to teach. Rather, she joined the local theatre prior to training at the Bristol drama school.

Her successful acting journey brought her from the regions to the West End, and finally to Broadway, where Leonard Bernstein selected her to star in his musical 1600 Pennsylvania Avenue in 1976.

She had already received a Tony award for her performance in Darling of the Day.

She could transition effortlessly from lighthearted plays to classics.

She progressed from Shakespeare's birthplace, appearing with the Royal Shakespeare Company and later to the National Theatre in the capital.

At the National, her lead role in the theatre production Carousel featured her performing the rousing You'll Never Walk Alone.

She also took several minor movie parts, especially in 1967's To Sir, With Love, and the comedian's comedy outing Don't Raise the Bridge, Lower the River.

Her theatre and broadcast performances demonstrated her versatility and won her awards, but it was television that provided Routledge with her best-known roles.

Television Breakthrough and Memorable Characters

Initial television appearances featured well-liked programmes like Z Cars and Steptoe and Son.

Subsequently, one of Britain's esteemed playwrights, the dramatist, wrote a series of outstanding Talking Heads TV solos for her.

Routledge overcame her early hesitation to act his material and shone as A Woman of No Importance and A Lady of Letters.

She later play a isolated, middle-aged shop assistant tipped into a relationship with a unconventional podiatrist in Bennett's Miss Fozzard Finds Her Feet.

A comic performance as the larger-than-life character on The Victoria Wood Show resulted in the development of Hyacinth Bouquet.

Routledge recalled being sent the episodes by the author, the screenwriter—who had also done Last of the Summer Wine and Open All Hours.

"I had opened the script for a moment at one o'clock in the night," she said, "I went straight through and Hyacinth jumped off the page. I knew that lady, I knew a few of that woman."

Keeping Up Appearances aired for five series and included several holiday specials.

In a film, she later claimed that fans had numbered Queen Elizabeth, the Queen Mother and the pontiff.

It turned into the broadcaster's most-sold programme of all time and ensured Routledge was recognised as far away as Botswana.

For her work on the comedy, she was chosen Britain's all-time best-loved actor in 1996, but following five years in the role, she felt it was time for a new direction.

"I decided to end it to an end," she explained, "which, of course, the BBC didn’t care for at all."

She thought that the writer was beginning to recycle ideas and mentioned a bit of guidance from the performer, the comic.

"He made sure to finish with people asking, ‘Oh, won't you do any more?’ she recalled, rather than fans saying, ‘Is that still on?’"

Later Work and Private Life

Portraying the unassuming but sharp detective in Hetty Wainthropp Investigates brought her continued popularity on television, but she consistently referred to the stage as "the test."

Years after she stopped acting frequently on television, Routledge undertook stage travels equally in the United Kingdom and abroad.

If interviewers asked the inevitable question, she requested them to spell out the word withdrawal because, she explained: "It's not in my vocabulary."

She did not married or raised children, but informed the press of a couple of significant romances in her youth, one with a married man.

"I experienced guilt and an sharp feeling that there had to be loss," she confessed. "I guess I convinced myself that it was all right for the moment as his union was no a living relationship."

Instead, she devoted herself to her art, serving it with the skill, dedication and devotion that were consistently admired by her colleagues.

She was scathing about the BBC's decision in 2016 to bring back Keeping Up Appearances, but on this occasion set in the 1950s and starring a younger version of her character.

Challenging the Corporation's approach of rebooting classic comedies she remarked, "For what reason are they doing this kind of project, they have to be desperate."

She had already disagreed with the BBC over their decision not to order a film she had written about the author the children's author (Routledge was a Patron of the Beatrix Potter Society), which finally broadcast on another network.

On turning 90, she continued to reside peacefully in Chichester, where she busied herself raising money for the church structure.

In 2017, she was appointed a Dame of the British honors system but—unlike Hyacinth—honors did not go to her mind.

Lady Patricia always said she thanked her north of England roots and stable family for giving her practicality with her time and her finances.

Even so, she admitted that, if any additional cash arrive, she'd definitely use it on "a case of champagne"—an love of the finer pleasures in life that she had in common with her best-remembered character.

"I was never theatre-obsessed," she said. "I'm not stage-struck now. Nobody's as amazed than myself that I have, actually, spent my career doing this."
Christina Young
Christina Young

A passionate historian and travel writer specializing in Italian cultural heritage and preservation efforts.